Renteria as La Poncia at Goodman Theatre. Credit: Photo provided.

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Claudia Renteria began her acting career when she was 12. In Morelia, Michoacán, Mexico, Renteria began attending summer school, which included theater class.

It is that love of art that helped her through the many changes she has made in her life. “Theater has saved my life many times,” she said. “Once I started taking the classes, I loved it.”

The RoundTable sat down with Renteria to talk about the impact of art and performance on people’s lives after her recent Mother’s Day performance, Cartas de Frida, which focused on the letters artist Frida Kahlo and her mother wrote to one another.

On Mother’s Day, Renteria and Norbella Peña, co-founders of Cartas de Frida, hosted a reading and dramatization of the letters as well as readings of attendees who submitted pieces about their mother-and-daughter relationships, the majority of which were specific to the Hispanic culture.

“Some submissions were women discussing their accent and how worried they were that they could lose their jobs because of their English,” Renteria said about the event. But really, all of the letters were “about finding commonality in immigration”

Renteria has bridged theater and immigration in her life to represent not only her own experience, but that of others in the Evanston community. Today she works as the Family Engagement & Community Specialist at the Joseph E. Hill Early Childhood Education Center in District 65.

While Renteria may not be acting as much as she used to, she is using what she learned from the theater world to enrich the arts in Evanston and the greater Chicago area.

Renteria says Kahlo’s immigration narrative resonates with many other young women, including herself. She too found a new life in the states but also realized she was missing a country that, while it may have been geographically close, felt worlds away.

She began her professional theater work in 1983 at Casa de la Cultura. She was able to play parts in a number of classic works, including La Piedra de la Felicidad by Carlos José Reyes at the Teatro Ocampo under the direction of Dalia Coria.

When she moved to the United States in 1986, Renteria thought she was staying for a vacation but ended up living in Rogers Park for several years.

Claudia Renteria Credit: Photo provided.

“When I came to America, my life changed,” Renteria said. “I started working and going to a new school and coming to a new city, a country. It was scary. I started looking for theater right away.”

In 1989, she trained in Chicago with the Aguijón Theater Company. This led her to a number of impressive parts in the Chicago theater world, including playing Maria in a production of Yerma, by Federico García Lorca. She was also part of the Goodman’s Theatre’s Latino Theatre Festival in a production of Lorca’s La Casa Bernarda Alba. Her other credits include performing readings of Rosa de Dos Aromas at the University of Illinois Chicago.

In 2012, Renteria worked with WTTW for an arts feature, participated in a workshop for the play “Pedro Paramo” and, a year later, began volunteering for the Evanston Public Library reading stories to young people at the McGaw YMCA.

She says she is thankful for Rebeca Mendoza, president of Evanston Latinos Organization, who gave her the opportunity, space and trust to bring art to the Evanston community and for choosing her as the artist for the organizations community resiliency through the arts fund. Evanston Latinos was one of five organizations in the city to receive the fund that helps support art and engagement in Evanston.

“People and places have really opened their arms and been very supportive, and I am so grateful for that. It doesn’t matter where we are from, we are all connected through art, it brings us together.”

Sam Stroozas

Sam Stroozas is a reporter and the social media manager at the Evanston RoundTable. She covers small businesses, social justice and human interest stories. Contact her at sam@evanstonroundtable.com and...

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